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features advent and its metamorphosis from the beginning up to abaasi period , while we have tried to not to exit from its communication zone as a back ground for entering to the main subject . then in the next chapters we would deal with the caricaturic lampoon s definition , its relationship with caricaturic , their common element - s such as : personal , political and social content and also the subject in various fields . next we study satire and its ways of presenting in this kind of lampoon , exaggeration as the meaning of the meaning of the caricaturic action and the necessity as the main axis of humane , cultural , social and political directioning of the poet , the translating style of this artistic - literary genre in the connection of language and illustration with regard to the poets with a lampoon which have had the caricaturic feature and have provide a wide compass for perceiving and understanding the caricaturic elements and its function in the growth of this artistic literary genre and also its metamorphosis and analysis in the different fields and provides us with a all - out adjust between caricaturic lampoon and the caricaturic .
In this thesis , the aim has not been to dead with the literal , eloquent and musical ability of a poetic genre but to study the ability of these elements in caricature picturing and their growth and to study , basically on their results , the caricaturic its poet's character , thought and their relationship with their human , social and political societies .
Key word : lampoon , caricature , caricaturic lampoon , satire , exageration , abaasi eras .